#i say this every time i post art but. i should post more art.

[s-e-e333]

100%. It is unfortunate how curious how minors can be, thinking they can handle it and seeing “minors DNI/NSFW” etc. is a flashing red sign to them, it sucks and creates a dangerous space for every party involved, exposure to, using ‘bad elements’ as an umbrella term here, learning about bad elements when younger minds are not ready to absorb them yet is so unsafe it is absolutely not funny, it is inderstandable minors will be angry and screm and shout how unfair it is that they should be sheltered but artists really shouldn’t have all that responsibility, it is damaging on both sides.

For one adult artists on here or other platforms put up all these warnings and as many protections as available because they know how unsafe it is to exposure children to the bad stuff. And yes, minors are children, I know that sounds mean and mean-spiritied but it is literally the definition, you are not supposed to know this stuff yet, it’s unhealthy and unsafe.

Two, the argument could be made to make an NSFW blog, but in the same breath, minors will be attracted to that more because if their cuirosity and wanting to be part of something adult, it is misconstrued a lot NSFW being more p**n oriented and asscoiated rather than gore and violence, there is also the NSFL (not safe for life) but that involves severe triggers and bad content, which yes does envelope a lot of the “other” category when it comes to unsafe content, but it is not commonly known and doesn’t sound as serious.

I know it sounds like a recycled argument, over and over again no matter how artists convey how unsafe, unhealthy, disrespectful and dangerous viewing the content is as minors, but it is an important lesson to learn and literally everyone should know that. Younger people will again, say how unfair it is to keep the content from them and it shouldn’t be posted if they think artists can’t handle it, but, you also have to know that all artists were minors at one point, and like, duh, obviously, it’s just that, they know. How bad it is, not only because they create at it, but at the same time, most of the artists now were on the internet at a time where unsafe things were just thrown online because there were no proper warnings, could tahat have an influence on their own art? Absolutely. Which is why they have to and want to hone in on how dangerous and bad it can be.

Me: "Minors do not interact!!"

Minor: (interacts with the post)

Me:

[3liza]

everyone arguing with material analysis/assertion about how art is a "luxury" has rarely if ever spent rent or food money on art, if they even pay rent or buy their own food, and if they did that would be considered extremely dysfunctional, and thats what i/we mean. artists are not providing a necessary service.

our plane crashes in the Andes and you are not particularly excited about my "can draw that Playboy centerfold of Marge Simpson from memory" like that is not an essential survival skill. lots of extremely skilled workers work in luxury artisan and craft jobs, it's not an insult to say even a very famous and very talented and influential artist is not producing a commodity necessary for the furtherance of human life. none of us are doing that, no matter how we stretch and strain the definitions of "essential" or even things like "morale" or "group identity". i will burn my copy of Finnegan's Wake to stay warm and thats what it comes down to.

i get foamy crazy snarling and biting about the idolization and obfuscation of what artists actually do because it is a labor issue! the public conception of artists as people possessed of a divine talent they dont consciously work to develop like any other skill, and the public idea that we are simply pleased and privileged to make art all day and "not work", something people say to my face every time i get asked "what i do", is largely responsible for the absolute dogshit reality of how subsistence and working class artists have to survive. we usually dont have health insurance unless we're so poor we qualify for medicaid AND live in a state that will enroll us. most of us are too disabled or crazy to go to a real job every day. most of us have tried, over and over, to enter the normal workforce, and have failed, and been forced to develop alternate skills that allow us to make rent in the ten hours per month we're actually functional. many of the artists i know work from bed because standing up is dicey. this has been turned into a charming eccentricity of famous artists and writers instead of people wondering why a person would need to stay in bed all day and take the enormous bother of bringing their stupid pens and paper and writing board or typewriter or whatever to their bed instead of just getting up and getting dressed and going to work. ive done this, i spilled ink in my sheets. its a huge hassle.

and artists play along with this mystique because people dont want to buy paintings from sadlords! they want to buy paintings and books and marge simpson nudes from cool guys who get a lot of chicks and wear rockstar outfits and party a lot, because of the transitive properties! of course!!! this is basic marketing!!!!! and if the artist doesnt play along they turn into Sad Story Artist where they're doing emergency commissions and posting about how sick they are all the time. this is not cool or fun or sexy. it's a sand trap and its very hard to recover from. im struggling with this right now!

famous and successful artists and writers are constantly ending up 60-90 years old with cancer and multiple sclerosis and dementia, being the subject of some sort of public, last-ditch, humiliating GoFundMe because painting paperback covers fr 60 years means you dont get a pension, you often dont even have kids who can take care of you, you dont have life insurance, you dont have health insurance. 'died penniless and alone' is one of the stereotypical artist endings for a reason, that is not fiction. this happened to more artists than i can list on two hands. look up what happened to Peter S. beagle, the guy who wrote The Last Unicorn. you write a book like that you should be set for life, right? NO. thats not how it works

i'm not saying 'all artists are disabled and working class or poor' because that isnt true, observably. nepo babies and trust fund artists exist, obviously. but they take an outsized portion of the spotlight when the public thinks of the concept of "artist". they are not actually the norm. the average artist is probably making under 40k and living in extremely precarious circumstances and has had periods of homelessness, illness, extreme debt and/or bankruptcy.

this is true even for the 'successful' artists. having one or two or ten good projects and being a household name does not save you from just not having the safety net provided by a normal career path. i was very close with a major, famous 2000s network television creator and team that you have heard of. they won awards, they changed culture entirely, they were a big deal. one of them was turned down for a half dozen projects by the same network that made millions or bilions on their franchise over several years (each pitch is completely unpaid btw, imagine carefully preparing a PowerPoint for morons for months at a time for no reimbursement and thent he morons ask you if you can put a teenage witch looking for her lost cat in the alps in it and you're like, haha, well, it's a 4 part hard sci fi miniseries set on Europa and takes place entirely inside a pressurized lander settlement, i mean Ridley Scot said he was interested already and he pitched a bottle episode about a carbon monoxide poisoning, soooooo....and the executives look at each other and they're like "it's jst not really what we're looking for right now, thanks for coming in" and you go to coffee bean and tea leaf and kill yourself and thats sort of what its like. i made that example up it didn't actually happen i'm using an illustrative example), worked on a canceled film, and just. gradually ran out of money. thats what happens. that guy ended up slowly selling off all his belongings, getting roommates in a one bedroom apartment, and then eventually having to just live on a friend's couch for years. famous guy. you probably know his name. another major member of that same team ended up in GoFundMe/commission hell for years (might still be there) because they had to take care of their two dying, dementia patient parents by themselves. these are people who go to GenCon and sign autographs for four hours at a time. THE PUBLIC IS NOT AWARE OF THIS SHIT and i'm sick of it. im sick of going to a gallery opening night ("vernissage") and drinking bad wine and having a guy with an email job that pays six figures and benefits tell me being able to push "undo" on the computer is cheating. that's a real example, that has actually happened to me. more than once.

artists currently have zero labor protections whatsoever. all of us are undercutting each other in an unregulated market and relying on welfare and private insurance and not having families or buying houses. zero security until we get so old all our illnesses and dysfunction finally ground us permanently and then we get turned into a charity case by fans (humiliating) or just fade away into ghosts and die

whats my punchline? idk i dont have one. it's possible and likely that any given artist you meet is permanently in precarity and will be until they die, even the famous ones. the culture of selling art demands that artists do not admit to this in public unless shit gets really really bad. i guess my point is you should know this, as a person who looks at or listens to or reads things that people have made for your amusement, not for your survival

[liquidorcard]

Lily Orchard is very politically opportunistic and her posts on Palestine show how blatant this is. She presents herself as militantly anti-fascist and anti-hate, she claims to hate centrists who try to give fascists a space to speak (instead implying she'd be willing to use violence to stop them). But like, as soon as it comes to electoral topics, she aggressively, AGGRESSIGELY insists that the liberal centrist parties are the only viable option. Like, the guys she pretends to hate. To the point where she's victim blaming activists for Democrats losing the election and telling people not to listen to activists when they call for a boycott against the liberal centrists who are upholding the right for fascists to speak and politically act. She pretends to be a leftist, but it's blatantly performative, the reality is that she is centre right and she seems to hate herself for it. Kind of sad, honestly.

I've said something before here that Lily and I grew up in similar environments? Well, I honestly think that has something to do with it.

I grew up in a very right-wing household in a very right-wing community that like, I knew I knew from a very young age I wasn't ever going to be accepted in. Assigned Reject at Birth. You know, it's one of the many ways religious and right-wing spaces just tare apart interpersonal connections important to the human psyche. That makes a wound in people. I won't go into detail, but my home life was bad to begin with. Being queer just made it that much worse.

Before moving away for college, I very much believed I was the most left-wing any human being on this earth could possibly be. I thought I was going to be met with open arms and the unconditional human acceptance I had always wanted, even though I wasn't fully cognitively aware of that.

I wasn't. And I feel people were even less forgiving of my lack of leftist literacy because I was a queer AFAB and concluded there was no excuse for me to be as ignorant as I was.

Now, I know the discussion of the social policing and virtue grandstanding gets flattened of any nuance online so the right can use it against the left, so I want to make sure I'm clear with what I'm about to say. No, the left should not be tolerant of bigotry. No, not every right-wing nut job can be deradicalized by hand-holding them through their own come to Jesus moment. Nor is anyone owed that emotional energy from you. But when you were raised right-wing, even if you grew to resent it, a person needs time to be deprogrammed. And, I know this might upset people to hear, but you won't understand how much of a privilege it is to be raised in a more liberal household unless you weren't. People who were can sometimes be, what I feel is unreasonably hostile to those of us who don't know any better because we haven't had the chance to learn.

It also just so happens I started college in 2015, right when gamergate went down. And it was an art school. Really, it was a uniquely not very ideal environment to rid myself of right-wing brain worms. And in a very real way, it retraumatized me getting rejected for not having the sociopolitical context to understand everything I was expected to. I'm not blaming anyone in particular for that-- that is more an unfortunate symptom of the anti-social rot the right causes, but it wasn't a good time. I think some people could have been kinder, and to this day I do my best to be charitable with meeting people where they're at myself. And I do think there is a problem in the left, especially online, failing to read between the lines and respond appropriately-- especially when it comes to vocabulary choice. You know, sometimes people use dogwhistles without the proper context to understand they are dogwhistling, sometimes people are just genuinely misinformed and lack the language to ask the questions they have, and vocabulary does shape perception. Right-wing ideology only can survive on the basis of rigid, strict, conceptually or literally divine hierarchy. Right-wing language is shaped on the premise of that hierarchy. The reason why a lot of social progress doesn't make sense to right-wingers and is almost impossible to communicate properly in right-wing language is because it disregards the premise of that hierarchy. Right-wingers don't literally live in a separate reality, but they kind of functionally do. Mentally. For people who are more on the right, but open minded enough to genuinely learn and want to, it's better to use as their language as much as possible to explain to them things that can ease them out of the premise of that mental trap of explicit social hierarchy in a gentler fashion.

With all that said, the root cause was still that right-wing upbringing.

I feel I have more than enough reason to very confidently say Lily went through a very similar experience to me. A shitty childhood for a lot of reasons, but one of them for sure being a queer person in an extremely right-wing household. She has a hypersensitivity to feeling shame and will go to extreme measures to avoid it, she feels isolated and desperate for acceptance in an extremely unhealthy way. In one regard she was knee-capped significantly in her ability to function socially that I wasn't, in that her parents decided she was a simpleton when she was very young, basically wrote her off and conditioned her to never take accountability. Though being overly critical of children is equally harmful (though in different ways), dismissing a child of all agency because you think they're too stupid to handle it can result in a lot more damage to everyone around them aswell as themselves and is a form of emotional neglect.

Online I think she searched out for a community that would accept her, and when that did not work out for her, when she experienced that retraumatization again of rejection . . . She took some very interesting lessons away from that. The wrong ones.

And, glass houses, it took me a whole journey aswell to get where I am. But I was conditioned to internalize social rejection, for better or worse. Lily was not. She is aggressively, profoundly, depressingly incapable of self-reflection, in healthy or in unhealthy amounts-- and even though that's not wholly her fault, she's a big girl now, and she's the only one left to accept responsibility for that. As someone myself who feels deeply angry at the ways I was psychologically damaged, I'm speaking as someone who has accepted that dwelling on how unfair it is that I have to be held accountable for that isn't going to improve my situation.

Believe it or not, I don't think Lily is inherently stupid. I think she was treated like she was stupid since she was young, and has put a lot of energy into pantomiming intellectualism instead of actually learning stuff. Again, glass houses, I also learned how to pretend I am smarter than I actually am out of an extreme aversion to shame-- but I can tell I have more actual knowledge, interest and curiosity to learn than Lily does.

I don't think Lily has any interest in learning about left-wing politics, and I don't think she has actually deprogrammed herself from the right-wing environment she was raised in. She has no motivation to care, and likely still is deeply bitter about the social rejection she's experienced in left-wing spaces. However, she has a lot of social capital to gain by PRETENDING she is.

And pretending is enough for the people she courts in her audience.

[theeternalseptember]

bruises on my neck / just a doll of flesh / you'll find my smoking body hung in wires overhead

sometimes you really do just get a bit too lost in the sauce of an idea, then you check the clock and it's almost 02:30. um. whoops. anyways, here's a catbox link in case tumblr fucks up the quality horrifically. my fault for doing this on a 4500x4500 canvas

[wasyago]

tango doodles

first you make up a guy and then you struggle to draw him correctly

[chronically-ghosted]

day before a 5 day holiday weekend. office empty. got me thinking thoughts.

[crystallizsch]

i really want to ramble more about yuusha and yuuna (+ other ocs) but l just feel embarrassed just saying random crap about them without art attached jsbsjs

im literally going to be sharing a piece of my rotted brain i'll feel exposed

[itissadbutitsmy-artblog]

i wanted this comic digitalized so bad that i used max's birthday as an excuse. :)

this is the true ending. if im insane enough ill show you the alternate ending though

bonus because i just. it just kinda peters out. longggg post yayyye

[a-scary-lack-of-common-sense]

I am exhausted, good heavens.

[firestorm09890]

Day 3 - favorite character

guess.

[browniesnivy]

I remain fascinated by their pathetic nature.

[triglycercule]

brooo these fucking TIME DIFFERENCES are PISSING ME OFF 😭😭😭 i took a nap here and checked the clock app to see what time it was in America and i saw 12 and i was like oh alright sure i can post because im past my usual time anyways. and then i wake up from anothe nap and check the time in america and it turns it was actually 12 AM when i checked. AM. not PM. because im not there and my usual schedule is messed up!!!!!! i hate leaving the country it ruins me. and also i dont have universal service so everywhere sucks just keep me in my state ill be satisified

[thedevotionaltour]

I SHOULD HAVE GONE INTO RADIOOOOOOOO

[dailyeca]

sometimes i think that i should be putting him in more complex compositions and dynamic poses and cool outfits and color palettes and pretty rendering and detailed backgrounds and more characters and story-driven comics and personal meaning

and then im like. that's the fucking devil talking. dailyeca is and always was supposed to be a low maintenance blog where i draw an eca a day and this eca can be the most scribbled motherfucker in da world but as long as there's a daily eca then i've succeeded. when i have time to add cool shit i can absolutely do that but even if he's just a sketched up bust shot at 11:59, i'm doing enough because that's just dailyeca babey.

[arctic-hands]

I learned what a bullet journal was by watching a few YouTube artists set theirs up and my algorithm spiraled out of control from there so I guess I have all the bujo influencers to thank for getting into it because it has been a godsend so far on my third attempt, but damn if the over emphasis on aesthetic over the actual practical organizational aspect of it doesn't rankle me a bit

[thirty rambling tags later] huh. I didn't know there was a thirty tag limit in all the years I've been on tumblr. Whatevs I can't copy paste the tags onto the main body because I'm on mobile and I don't want to write it out again so I'll just summarize the last bit here:

If you are browsing the bujo tag because you feel bullet journaling will help you but you feel intimated because you don't think you can make it look pretty, or that the bullet journal method could never help you because it looks exhausting or the inspo you see doesn't cover what you need, I am pleading with you to ignore all the pretty inspiration, take the most common and even original Ryder Carroll formats and spreads with a grain of salt and eliminate or change them as needed, and talk to people who have similar needs than you even if they don't bujo and suss out what's important to keep track of. My bujo is eighty percent important medical bullshit, because that's what I need more than a book tracker. You prolly have your own unique needs. And hell, if you want a book tracker then add a booktracker. It's your bujo to format and plan out.

So like if you want to start bullet journaling, go to Michaels and get a seven dollar Artist's Loft dot grid journal. Or a binder you have left over from school years past and print out your own dot grid paper if you have enough ink and paper and printer that can do double sided (Kevin McLeod's site I forget the name of has free adjustable dot and other grids I've used), or buy a pack of 8.5x11 dot grid paper, and grab a crappy hole punch that just barely does the job. Get yourself a nice pen you think looks and feels nice in your hand and on the paper–or if that doesn't matter to you go get pack of Bics or even pencil if that's what you prefer (I use a pencil for things I can't have be permanent, like temporary meds or the dates of yearly vaccines). If you're twitchy about messing up then get the cheapest wite out they have (but don't worry about messing up especially if you're not even showing it off to anybody). A cheap yellow highlighter if you think it'll help. And a ruler if straight lines are important to you. I lost mine so I just wobble my lines now I don't care (and it's marginally easier to get a line adjacent to straight with a dot grid)

Anyway. If you want to bullet journal but don't know where to start or how to make it pretty or how to make it work for your needs, just try it in the cheapest way possible and rearrange the guts of the bujo as you see fit. And don't worry about the optics as long as you can make sense of your methods and writing.

(and for the love of God if you're bipolar don't make an hourly mood tracker yes our moods can and will fluctuate throughout the day but goddamn was that a bitch to log and abandoned a few weeks after inking it out)

[neverendingford]

Idea first came to me after I said something like "a thousand needles sewing you to a canvas of pain" and so I decided to make it real as best I could.